Graphic identity guidelines

Graphic identity guidelines

Typographic Matchmaking project detail of book cover -. The Khatt Foundation selected and invited five renown Dutch designers and matched each one of them with an established and upcoming Arab designer. The main thrust of the project is to address the modernisation of Arabic text faces that can provide design solutions for legible Arabic fonts that answer the contemporary design needs in the Arab world namely for publications and new digital media applications. The Typographic Matchmaking project was first discussed with a number of Dutch designers during the ATypI conference in Prague in September of , and developed accordingly into a project with a defined and practical design brief. Five renowned Dutch designers were invited and each was teamed-up with an established or upcoming Arab designer. The initial challenges of this project were slightly humbling. First, asking two type designers who have never worked together to design a typeface was highly unusual— usually type design is an extremely individual and solitary endeavor. Second, matching two designers from different cultural backgrounds and in most cases living in different countries posed other small complications; like traveling to meet face to face, or communicating remotely through telephone and email. Third, the expertise of the selected designers within one team was diverse; ranging from highly advanced technical knowledge, to design experience, to mastery of the Arabic language and script.

Matchmaker

GitHub is home to over 50 million developers working together to host and review code, manage projects, and build software together. If nothing happens, download GitHub Desktop and try again. If nothing happens, download Xcode and try again. If nothing happens, download the GitHub extension for Visual Studio and try again. The Arabic design is contemporary, starting with Naskh and introducing influences of Diwani.

بيباس الجديد الإحترافي | Arabic Bebas Neue Pro Typeface Typographic Matchmaking I Free Fonts Sukar Typeface | Arabic Overlock Typeface (free).

Enter your mobile number or email address below and we’ll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer – no Kindle device required. This book is the result of the Arabic Type Design Project, and includes ten fonts. Read more Read less. She holds degrees in graphic design from Yale University School of Art and Rhode Island School of Design, and specializes in bilingual typographic research and design.

She is currently pursuing a PhD at Leiden University while working between Europe and the Middle East as a typography and design consultant. To get the free app, enter mobile phone number. See all free Kindle reading apps. Tell the Publisher! I’d like to read this book on Kindle Don’t have a Kindle? Customer reviews. How does Amazon calculate star ratings? Amazon calculates a product’s star ratings based on a machine learned model instead of a raw data average.

Matchmaking Font

A few months ago I finished designing a logo for an organization called Sardonyx. There are usually two ways to go when choosing type for a logo:. Below are some of the combinations of typefaces with which I experimented along with some rationale for each:.

You can download the best fonts, free fonts for personal or commercial use. With beautiful script type, professional sans serif font and more.

The type designer creates a main font family and then adds another font to compliment. One such family is Bourton , designed by Kimmy Kirkwood. Bourton is a san serif typeface with elements drawn from vintage san serifs of the s and 40s blended with a more modern aesthetic. It is also a layered typeface, meaning you can add or remove the outlines, inlines, and drop shadows from the type.

While this is true, one distinction would be that type families like Bourton have a much stronger contrast in the aesthetics of the typefaces and the weights and styles are much more limited than a super family. The typeface features a serif and san serif and is a layered typeface. Both the serif and san serif have some similarities, but the range of styles is based on the layering of elements, as opposed to the dozens of weights and styles that super families have.

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Kufam Typeface

Thesis is a large typeface family designed by Luc as de Groot. The typefaces were designed between and to provide a modern humanist family. Each typeface is available in a variety of weights as well as in italic. Originally released by FontFont , it is now [ when? To create a varied range of fonts of different thicknesses and levels of condensation, Thesis was developed using multiple master technology, in which weights were created by ‘averaging’ and extending the trend between a thick and thin design to create a smooth, continuous trend in styles from thin to very bold.

The fonts also include a large number of stylistic alternate characters.

At the moment she is busy with new font releases and the design of Qandus Latin​, as part of the Typographic Matchmaking in the Maghrib project, but always.

This book is the result of the Arabic Type Design Project, and includes ten fonts. She holds degrees in graphic design from Yale University School of Art and Rhode Island School of Design, and specializes in bilingual typographic research and design. She is currently pursuing a PhD at Leiden University while working between Europe and the Middle East as a typography and design consultant. Convert currency. Add to Basket. Condition: Good.

Thesis (typeface)

Matchmaker, a modern calligraphy typeface, was inspired by the various works of modern day calligraphers. Its tall, quirky, and juxtaposed letterforms provide a Matchmaker is a modern calligraphy typeface created by Angie Baldelomar and published by Fonted House. This elegant handwritten font has smart contextual alternates Its tall, quirky, and juxtaposed. Started in , Matchmaker is the oldest online dating site.

Thesis is a large typeface family designed by Luc(as) de Groot. The typefaces were designed and later developed TheMix Arabic Regular. The font was included in the Typographic Matchmaking Project organized by the Khatt Foundation.

Building Cultural Bridges with Typeface Design Typographic Matchmaking presents the first government-funded design research project that aimed to support cultural integration within society though design collaboration. This intercultural project brought together five teams of Arab and Dutch type designers to create a fully integrated Arabic extension to five existing and established Latin font families.

The five projects discussed in this book pose questions about the aesthetic and technical issues concerning the creation of Arabic fonts as companions to Latin ones, and thus still addresses contemporary and global communication needs. The resulting five Arabic typefaces were widely used throughout the Arab world, charting a new trend in Arabic type design. Eventually, all these fonts were further developed and became part of the collection of established font foundries.

One type design received the TDC award for excellence in Typeface design, and for four of the Dutch type designers this project was the start of a continued work in Arabic type design and font production. This second edition, not only presents the design process of the original project, it also showcases in additional colored pages, a select selection of samples of the way the fonts have been used by designers from around the world.

Khatt Fonts

Join our community and connect with the other regional actors exchanging on interregional cooperation. When you register, you will have access to additional services including the platform helpdesk and the possibility to contact your peers in the platform community. It should only be used when the 4-colour process is not available.

Matchmaker Font: Matchmaker, a modern calligraphy typeface, was inspired by the various works of modern day calligraphers. Its tall, quirky.

Enter your mobile number or email address below and we’ll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer – no Kindle device required. To get the free app, enter your mobile phone number. Would you like to tell us about a lower price? If you are a seller for this product, would you like to suggest updates through seller support?

This book is the result of the Arabic Type Design Project, and includes ten fonts. Read more Read less. Kindle Cloud Reader Read instantly in your browser. Register a free business account. She holds degrees in graphic design from Yale University School of Art and Rhode Island School of Design, and specializes in bilingual typographic research and design. She is currently pursuing a PhD at Leiden University while working between Europe and the Middle East as a typography and design consultant.

Typographic Matchmaking: Building Cultural Bridges with Typeface Design

Enter your mobile number or email address below and we’ll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer – no Kindle device required. To get the free app, enter your mobile phone number. Would you like to tell us about a lower price? If you are a seller for this product, would you like to suggest updates through seller support? This book is the result of the Arabic Type Design Project, and includes ten fonts.

: Typographic matchmaking: building cultural bridges with typeface design (): Huda Smitschuijzen Abifares: Books.

Now we are looking at pairing typefaces — definitely a difficult task that requires a balance of knowledge, eye experience, and boldness. One of the most common questions we have encountered over the past fifteen years as professional type designers is about combining typefaces. How can you successfully pair fonts? What general guidelines can be applied to find the right match?

What are the pitfalls? Starting is often the hardest part. The first useful steps toward a happy typographic match are to define clear goals, to analyse the content being designed, and to understand its structure, function, and audience. Appropriate font selection read our article here also plays an important role in this initial process.

This sets the stage by choosing the right fonts for the content in question. Our subconscious mind will feel something very different from what was intended because these intangible associations we have with lettershapes are conditioned by our common visual heritage. So your concern should be about a good match between the style, semantics, and intended impact of your text and the corresponding properties of the chosen typeface. Do they match? Excessive use of fonts is not a sign of good design if there is no structural need for variety.

In communication design, type has the task of serving the content and delivering information in an engaging, not confusing, way.

Matchmaking

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Download Kufam typeface, a Arabic-Latin bilingual font family in 10 styles typographic matchmaking project during the period

Kufam is a Arabic-Latin bilingual typeface intended for contemporary information design such as signage and wayfinding systems. Kufam Arabic is inspired by 7th-century Kufi inscriptions. The dark, condensed shapes of this early Kufi script also served as an inspiration for Kufam’s Latin lowercase, as where the Latin capitals find their roots in lettering as frequently seen in signage and shop lettering in Amsterdam at the beginning of the twentieth century.

All these inspirations from sources in different periods in history of the Arabic and Latin world cumulate in a contemporary, legible and aesthetically rich design for use across different media. Kufam was conceived within the framework of The typographic matchmaking 2. Several design teams were given the task to design a new font family and simultaneously develop the Arabic and Latin character set.

Matchmaker Font Download


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